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Season 1 Kim Scherrle Season 1 Kim Scherrle

Cassie Chadwick

One of my favorite things about the Victorian era is that you could just up and decide to change your name, make up a new story for yourself, and you could be who ever you wanted. This is the story of Cassie Chadwick.

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Season 1 Kim Scherrle Season 1 Kim Scherrle

Victorians & LGBTQ+ Pride

This is a special bonus episode to celebrate Pride Month! As a show that focuses exclusively on the Victorian era and crime, we cannot gloss over the fact that many facets of LGBTQ+ lifestyles were, in fact, considered criminal during the time period.

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Season 1 Kim Scherrle Season 1 Kim Scherrle

Kate Webster

The subject of tonight’s story is sometimes referred to as “the female Sweeny Todd.” This is the story of Kate Webster.

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Season 1 Kim Scherrle Season 1 Kim Scherrle

Mary Mallon

In the 19th century, germ theory had started to take root. Government officials were starting to figure out why disease spread, but what to do about it was still not fully baked. That is how in 1906, Mary Mallon was forced to quarantine as a well woman for cumulative 26 years. This is the story of Typhoid Mary.

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Season 1 Kim Scherrle Season 1 Kim Scherrle

Tillie Smith

I am excited to share tonight’s story with you because while well known locally where I live, it is not widely known. Also, it combines two of my favorite things to talk about which are: true crime and hauntings. And if ever a murder victim had reason to haunt somewhere, this is it. This is the story of Tillie Smith.

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Season 1 Kim Scherrle Season 1 Kim Scherrle

Madeleine Smith

For our first episode, I thought we’d start with a case that has a little bit of everything. A scandal within the upper echelons of Scottish Victorian society, a salacious affair, and of course, a poisoning. This is the case of murderess Madeleine Smith.

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Season 1 Kim Scherrle Season 1 Kim Scherrle

Season 1 Trailer

Stand next to your window on a particularly dark night—a rainy night or night when there’s no moonlight. Now imagine gas lamp lit streets and fog settling in. Faces are hidden by turned up collars and pulled down hats—That is a good night for a murder.

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